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biography
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Robert
Aickman, standing
(1950s)
Speaking at the Annual Dinner of the Inland Waterways Association
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"There
are only about thirty or forty first-class ghost stories in the
whole of western literature."
And
so, somewhat boldly, begins Robert Aickman's introduction to the
1964 Fontana
Book of Great Ghost Stories. In addition to two novels, Aickman
published a total of forty-eight ghost stories himself, many of
which are acknowledged as classics of the genre, so the canon of
"first-class stories" must, at least in the present writer's
opinion, have increased since Aickman penned that introduction.
Later in the same piece, he expresses the view that ghost stories
are "allied to poetry" and anyone who has read his work,
or that of Walter de la Mare, will understand the alliance Aickman
believed to exist. Indeed, critics have tended to compare Aickman
to de le Mare and, of course, to M. R. James, but arguably his work
also connects on a metaphysical level with the writings of Kafka
and Beckett, two writers who portray the agony of human interactions
in the context of a mechanized, and ultimately mechanising, world.
Peter
Straub in his introduction to The
Wine-Dark Sea: A Collection (New York: Arbor House/William
Morrow 1988) argues that "[w]hat
attracted Aickman to ghosts was not the notion of dripping revenants
but the feeling—composed in part of mystery, fear, stifled
eroticism, hopelessness, nostalgia and the almost violent freedom
granted by a suspension of rational rules—which they evoked
in him." Tales of love and death indeed!
Aickman's
writing is enigmatic and often clinically otherworldly. In a review
of the posthumous collection Night
Voices: Strange Stories (London: Victor
Gollancz Ltd 1985)
featured in British Book News, Paul Kincaid wrote that "[Aickman]
writes a precise and elegant prose, full of sharp perceptions of
the ordinary, so sharp that a niggling sense of unease slowly develops
without anything out of the ordinary actually happening." Frequently,
his stories end—abruptly—without an entirely satisfactory
conclusion, presenting the reader with a number of interpretations
and leaving questions unanswered; confusion, on the part of both
the reader and the tale's protagonists, is rarely far away in the
more extreme examples and the expected short-story "twist in
the tale" denouement is often curiously absent.
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Robert
Aickman by Ida
Kar (late 1950s)
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Robert Fordyce
Aickman, born in 1914, was a British author of supernatural stories
he liked to describe as "strange". He was the grandson
of prolific Victorian novelist Richard Marsh, known for his occult
novel The Beetle (1897), a book arguably almost as
popular in its time as Stoker's Dracula. Aickman, however,
is probably best remembered
for his co-founding of The Inland Waterways Association, a group
devoted to restoring and preserving England's inland canal system.
One of his co-founders, Tom Rolt, also produced a volume of twelve
superb supernatual tales: Sleep
No More (London: Constable 1948). He was married to Edith
Ray Gregorson from 1941 to 1957. For a full exposition of the
battle for the waterways, David Bolton's book Race Against Time:
How Britain's Waterways Were Saved (London: Methuen 1990) is
essential.
In
addition to his own stories, Aickman edited the first eight volumes
of the Fontana Book of
Great Ghost Stories between 1964 and 1972, selecting six of
his own stories for inclusion over the course of the series (the
fourth and six volumes lack one of his tales). He also added insightful
introductions to seven of the collections (volume six lacks any
introduction). A useful commentary on these anthologies by Bill
Allison and the late John Eatman (rbadac)
can be found here.
In
1975, Aickman received the World
Fantasy Award for short fiction for his story “Pages from
a Young Girl's Journal”. This story originally appeared in
February 1973 in The Magazine of Fantasy and Science Fiction and
two years later in the collection Cold
Hand in Mine: Eight Strange Stories
(London: Victor Gollancz Ltd 1975).
In 1981, the
year he died, Aickman was awarded the British
Fantasy Society prize for his story "The Stains" which
had first appeared in 1980 in the Ramsey Campbell edited anthology
New Terrors (London: Pan 1980). It subsequently appeared,
posthumously, in Aickman's
final collection of stories Night
Voices: Strange Stories.
Only two novels—The
Late Breakfasters (London: Victor
Gollancz Ltd 1964) and
The Model:
A Novel of the Fantastic (New York: Arbor House 1987)—have
been published. Aickman's autobiographical writings can be found
in the volumes The
Attempted Rescue (London: Victor Gollancz
Ltd 1966) and The
River Runs Uphill: A
Story of Success and Failure
(Burton-on-Trent: Pearson 1986).
Aickman also
wrote a number of plays, Allowance For Error, Duty
and The Golden Round, none of which has yet been published.
Two further books, a vast philosophical work entitled Panacea: A Synthesis
(running to over 1000 pages in manuscript form) and a further novel
Go Back At Once have never seen publication. Copies of these
items are preserved, along with all of Aickman's other remaining
papers, in the Robert
Aickman Collection at Bowling Green State University, Ohio.
Aickman originally
received his training in architecture, the profession of his father,
William Arthur Aickman ("the oddest man I have ever known",
according to his son in The
Attempted Rescue); however, he was more naturally centred
in the milieu of literature, the theatre, ballet and music. He was
theatre critic for The Nineteenth Century and After as well
as the chairman of the London Opera Society. He was also active
in the London Opera Club, the Ballet Minerva and the Mikron Theatre
Company in London.
Aickman died
of cancer on 26 February 1981 and his obituary appeared in The Times
on 28 February 1981.
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Altogether, twelve
collections of Aickman's "strange stories" have now been
published. Of these books, eight are original collections and four
are reprint collections (one of which—Painted
Devils: Strange Stories—consists
of revised versions of stories which appeared in earlier volumes).
The eight collections are as follows:
» We
Are for the Dark: Six Ghost Stories, London: Jonathan Cape
1951
» Dark
Entries: Curious and Macabre Ghost Stories, London: Collins
1964
» Powers
of Darkness: Macabre Stories, London: Collins 1966
» Sub
Rosa: Strange Tales, London: Victor Gollancz Ltd 1968
» Cold
Hand in Mine: Eight Strange Stories, London: Victor Gollancz
Ltd 1975
» Tales
of Love and Death, London: Victor Gollancz Ltd 1977
» Intrusions:
Strange Tales, London: Victor Gollancz Ltd 1980
» Night
Voices: Strange Stories, London: Victor Gollancz Ltd 1985
The reprint collections are:
» Painted
Devils: Strange Stories, New York: Charles Scribner's Sons
1979 (revised stories)
» The
Wine-Dark Sea, New York: Arbor House/William Morrow 1988
» The
Unsettled Dust, London: Mandarin 1990
» The
Collected Strange Stories, Carlton-in-Coverdale: Tartarus
Press/Durtro Press 1999 (two volumes)
The
original collections of short stories, particularly the first four,
all command high prices on the used book market, as does the extremely
rare novel The
Late Breakfasters.
Abebooks
is a good place to start if you are interested in tracking them
down. The most accessible avenue to acquiring Aickman's stories
is via the excellent two volume Tartarus
Press complete edition mentioned above. In 2001, Tartarus also
reissued the first volume of Aickman's autobiography, The
Attempted Rescue in a handsome edition with a foreword
by writer and Aickman enthusiast Jeremy Dyson, of British comedy quartet The League of Gentlemen.
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